Vintage Movie Resources
The Expressions of Stewart Rome (1919) 🇬🇧
The day of the foreign machine-made film, with mechanical actors, and mechanical stories, is nearly over
The Expressions of Daisy Burrell (1919) 🇬🇧
Daisy Burrell gives a few hints to would-be cinema stars
The Expressions of Gregory Scott (1919) 🇬🇧
Gregory Scott — The aristocratic villain of the British screen
Marie Walcamp — The Golden-Haired Dare-Devil of Trans-Atlantic Serials (1919) 🇬🇧
Marie Walcamp’s first job in pictures was a daring stunt on a locomotive, which she had to drive
Edith Stockton — Recruited from the Chorus (1920) 🇬🇧
Many film stars have been recruited from the chorus, because chorus girls nowadays possess real dramatic ability
James Knight — A Hero’s Many Expressions (1919) 🇬🇧
James Knight is endowed by nature with the face and figure of a hero
Cameron Carr — “The Villain of the Piece” (1919) 🇬🇧
Cameron Carr’s temperament is best suited to being a villain who lures the unfortunate person to destruction
Thomas H. Ince — Producer and Sportsman (1919) 🇬🇧
Thomas H. Ince has built the most modern motion picture studio in the world
Queenie Thomas — Photographic Impressions (1919) 🇬🇧
Queenie Thomas — Photographic impressions of one of Britain’s leading screen artistes
“Smiling” Bill Parsons — A Face That Makes Fun (1919) 🇬🇧
William Parsons makes you laugh loudest when he is not “Smiling”
Miss Heather Thatcher — Heather for Happiness (1919) 🇬🇧
The girl who is ever, yet never the same, is about the best way of describing clever Heather Thatcher
Jewel Carmen and Her Charm (1919) 🇬🇧
Jewel Carmen is one of the most interesting women on the screen to-day
Max Linder’s Funny Faces (1919) 🇬🇧
Max Linder is really quite handsome in spite of the grimaces he has been making for many years
Carl Laemmle Jr. — The Luckiest Boy in the World (1919) 🇬🇧
Recently, Carl Laemmle took Carl Laemmle Jr. to Universal City
Violet Hopson’s Many Expressions (1919) 🇬🇧
Violet Hopson — the “Dear Delightful Villainess” of the screen
A Film Chat with Mary Rorke (1921) 🇬🇧
A criticism of the close-up so beloved by some producers
Rhea Mitchell — “The Horror Lady” (1921) 🇬🇧
Rhea Mitchell says it is more difficult to look horrible than pretty
Vera Gordon — An Artiste Who Excels in Mother Parts (1921) 🇬🇧
A sympathetic expression of a mother role always makes a widespread appeal
