Vintage Movie Resources
Lads and Lassies of Laughter (1926) — Part I 🇺🇸
Part I: A full score of talented and optically pleasing young people smile and prance before your eyes on the screen, but you rarely read anything about them. Often you do not even know their names. Yet they are the players who make you laugh loudest, and you see them more often than your heroes and heroines of the drama, Meet your friends of the short comedies! | Move on to Part II
Lois Moran — As The Twig Is Bent (1930) 🇺🇸
Arlette Marchal — Mademoiselle — Not Grisette (1926) 🇺🇸
In Arlette Marchal, brought from France by Paramount, is found the carefully reared flower of that great institution, the French home, rather than the little devil of the boulevards.
What Emil Jannings Fears (1926) 🇺🇸
The great German actor, discussaing art and his coming visit to this country to make pictures for Paramount, betrays a desire with which many will sympathize and which some may try to alleviate.
Richard Dix — He Rolls His Own (1926) 🇺🇸
Richard Dix explains how he and his director, Gregory La Cava, evolve their popular screen comedies, from the moment the scenario — which sometimes is nothing more than a scrap of paper — is placed in their hands.
Louise Dresser — The Mothering Heart (1930) 🇺🇸
Leatrice Joy — Hail — And Farewell! (1930) 🇺🇸
Dolores del Río — Sad One of the River (1930) 🇺🇸
Laura La Plante — Without Benefit of Fireworks (1930) 🇺🇸
Agua Caliente — The Playground of the Stars (1930) 🇺🇸
Jeanne Eagels — The Way of an Eagle (1930) 🇺🇸
Evelyn Brent — The Melting of Evelyn (1930) 🇺🇸
Leila Hyams — Up from a Trunk (1930) 🇺🇸
Mary Nolan — "The Glory Girl" (1930) 🇺🇸
Olive Borden Repents Her Folly (1930) 🇺🇸
Mae Clarke — Thirty-five Minutes To Go (1930) 🇺🇸
Too Continental — Or What? (1930) 🇺🇸
Alice White — Naughty Baby Quiets Down (1930) 🇺🇸
Fifi Dorsay — Fifi's Magic Touch (1930) 🇺🇸
Fifi Dorsay's wordless language makes you want to throw away your French dictionary, for the whole world is akin when she sings and rolls her eyes
Ruth Chatterton — As She Is (1930) 🇺🇸
The most popular player brought from the stage to the screen is here subjected to friendly scrutiny.
Sue Carol — Two Years Before The Mast (1930) 🇺🇸
Bill Boyd — As He Is (1930) 🇺🇸
The story of William Boyd's life reads like that of a fame-and-fortune hero of the old school, which may explain his extreme modesty to-day.
