Vintage Movie Resources
George J. Lewis — Big Brother George (1926) 🇺🇸
Among the new order of juveniles who have risen to prominence in the movies within the past year, George Lewis most suggests the big, sympathetic brother.
Mildred Davis — One Half of the House of Lloyd (1924) 🇺🇸
Among Those Present — Brief sketches of some of the most interesting people in motion pictures, whose work, though sometimes of star calibre, does not always get star recognition.
Dale Fuller — Dale the Dependable (1923) 🇺🇸
You do not often see her on the screen, but when you do you remember her forceful, vivid work.
H. B. Warner — Unto the Sixth Generation (1929) 🇺🇸
In many respects H. B. Warner stands alone in Hollywood, one of his claims to distinction being his long line of ancestors who, without a break, have been leaders on the stage.
Vera Voronina — A Ray from Russia (1927) | www.vintoz.com 🇺🇸
Vera Voronina’s gay, vibrant personality is not at all what you’d expect from “darkest Russia,” but that is the land from which that charming young actress has come. This interview was had with her shortly after her arrival, while she was at work on her first American film.
The Real Ruth Roland (1926) 🇺🇸
Success and wealth can so often change a person, but one who knows Ruth Roland perhaps better than any one else finds in her the same unspoiled girl who came to Hollywood penniless.
A Pot of Gold for Billie Dove (1927) 🇺🇸
For five years she has followed a rainbow of dreams that, it seemed, would never be realized. At last she has won her reward.
Clarence Thompson — An Actor by Request (1927) 🇺🇸
Clarence Thompson, who prefers to be called “Tommy,” wanted to write, but was forced to become an actor to get inside a studio.
Cornelius Keefe — A Modest Chap (1929) 🇺🇸
Cornelius Keefe disdains the usual interviews and puffs, but here is a story that tells what kind of young man he is.
Bodil Rosing — Ga-Ga Bodil (1929) 🇺🇸
Bodil Rosing’s granddaughter gave her a nickname that made Hollywood love the brilliant actress all the more.
Eternal Love
Thelma Todd — An Eye Full (1929) 🇺🇸
Is the interviewer’s resume of beautiful Thelma Todd, erstwhile schoolmarm and now of Hollywood’s notables.
ZaSu Pitts — Loved at Last (1927) 🇺🇸
For nine years Zasu Pitts has been the neglected girl of the screen, the girl who has stood by and watched the more beautiful heroine walk off with the hero, but at last Zasu has got her man — in two successive pictures.
Patsy Ruth Miller — Patsy Ruth Flares Up (1927) 🇺🇸
Miss Miller launches a protest against the “blah” roles that have been her lot, and holds forth on the subject of hook rugs, her decision to become a director, and her eccentric cook.
Marceline Day — Marceline Keeps Cool (1927) 🇺🇸
It takes more than success in the movies to thrill Marceline Day. Though she is rapidly mounting the stairs to fame, she takes it all quite coolly and looks upon her film career as merely a very pleasant job.
Tim McCoy — Born to the West — and East, Too (1927) 🇺🇸
Though he is a new cowboy star of the films, Colonel Tim McCoy is a product of Eastern education, army training, and Western breeding — and on his ranch he dresses for dinner.
Marian Nixon — Rich Wife (1932) 🇺🇸
Marian Nixon's wealthy marriage couldn't satisfy a girl who had known the joys and sorrows of a career.
Myrna Loy — Myrna, Are You Real? (1926) 🇺🇸
Is Myrna Loy's bizarre personality a pose, a mere figment of her highly developed imagination, or is she actually the strange, fantastic being that she appears to be?
Arlette Marchal — Mademoiselle — Not Grisette (1926) 🇺🇸
In Arlette Marchal, brought from France by Paramount, is found the carefully reared flower of that great institution, the French home, rather than the little devil of the boulevards.
Louise Dresser — The Mothering Heart (1930) 🇺🇸
After thirty-two years on the stage and screen, Louise Dresser looks forward to doing her best work when she is past fifty as a substitute for her real soul's yearning — which is for a child.
Laura La Plante — Without Benefit of Fireworks (1930) 🇺🇸
Seven years a star, Laura La Plante has never been extravagantly praised or severely criticized, her steady emotional balance giving her a security impossible to the skyrockets of the screen.
Mary Nolan — "The Glory Girl" (1930) 🇺🇸
She is Mary Nolan, but you must read this story for the meaning of the phrase.
Olive Borden Repents Her Folly (1930) 🇺🇸
Elevated by publicity and stardom into a state of artificial grandeur, she demanded two thousand dollars salary for decorating the screen. In the long wait that followed this outburst she began to think for the first time, and now there's not a more sensible girl in Hollywood.
Alice White — Naughty Baby Quiets Down (1930) 🇺🇸
Alice White skipped gayly through life and films alike until she fell in love, and now she pauses to grasp a new realization of things.
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