Vintage Movie Resources

Poverty Row, that section of Hollywood noted for pictures produced on a shoestring, is becoming so affluent that the old days and practices have become just a memory.

Away from the screen most people do not recognize Chester Conklin.

Lila Leslie, of the Lubin stock company at Philadelphia, is a native of Australia.

Arthur D. Hotaling is an expert in all branches of motion picture manufacture.

Kempton Greene’s years of service with the Lubin company number three.

Florence Hackett, two and a half years ago, was assigned by the Lubin management to Arthur Johnson’s company.

Yale Boss receives a large personal mail. It is the kind of mail that follows the screen.

A little while ago I walked into a motion picture house to talk with an exhibitor. Involuntarily my eyes wandered in the direction of the screen, and immediately stayed there charmed by the work of a child artist whom I had never seen before either on or off the screen.

In an exclusive interview with the Moving Picture World the great master of visualization tells of his impressions and expectations

Miss Helen E. Connelly, aged six, is a most bewitching little lady with soft brown eyes and an air of artistic languor

Edna, who still has two years to travel before entering her ‘teens, is, in spite of her tender youth, a theatrical veteran, having begun her artistic career as the “Baby” in Francis Wilson’s popular success, “The Bachelor’s Baby.”

“Andy”, who made the “Andy” series famous, was called to his first interview straight from the camera and in full costume, the latter consisting of a grandfather’s high hat, a pair of long pants and a black mustache.

Interviewed Adelaide Lawrence, aged seven, in the Kalem studio. Adelaide was chaperoned but not coached by both her father and mother, indeed, much of the biographical data were gathered from Adelaide while she was seated on her mother’s knee.

Moving Picture World wishes to pay a well-deserved tribute to the clever and gifted little boys and girls who have helped with such skill and sincerity to make the motion picture true to life.

Author of “The Spoilers” sees filmed story passed by Chicago censors, and gives an interesting interview to world representative.

Ethel Clayton is trying to keep from thinking about small-pox. For whatever awful thing she thinks about long enough, she gets.

We were in the midst of a fragile repast of cornbeef and cabbage, green corn and iced tea in the Lubin studio’s dining room, when Arthur V. Johnson found us.