Vintage Movie Resources
Chats with the Players — “The Rosemary of the Movies” (1915) 🇺🇸
A busy movie actress, such as Rosemary Theby, has just so many moments for a mere interview — and no more
Chats with the Players — Bliss Milford, of the Kinetophote Company (1915) 🇺🇸
“You ought to see me trying to be tragic in a serious piece! It makes a farce of it right away”
Chats with the Players — Herbert Prior, of the Edison Company (1915) 🇺🇸
“My highest ambition? To have enough money to retire and yet to beat the income tax”
Fredric March — The Baby of the Family (1932) 🇺🇸
Don’t miss a word of this fascinating story about Fredric March
“Broncho Billy” in Real Life (1912) 🇺🇸
if there’s any one thing Gilbert M. “Broncho Billy” Anderson believes in living up to, it is slogans
Dolores del Río — What Price Stardom? (1932) 🇺🇸
Being stamped as “a million dollar baby” has almost cost Dolores Del Río her career
Geraldine Farrar — Gerry: The Woman (1920) 🇺🇸
Geraldine Farrar the prima donna and Geraldine Farrar the cinema star
Claire Whitney — Claire in the Gloaming (1920) 🇺🇸
Life has not always laid a loving hand upon Claire Whitney
Edith Hallor — The Camaraderie of Edith (1920) 🇺🇸
The silversheet won’t give us Edith Hallor’s beautiful burnished locks, but it will give us her laughing eyes, her spirit of girlishness — and, above all else, her spirit of camaraderie!
Dustin Farnum — To Corsica With “Dusty” (1920) 🇺🇸
“I wasn’t satisfied until I got my navigator’s license. I am my own captain now.”
Ruth Stonehouse — That Stonehouse Youngster (1920) 🇺🇸
Ruth Stonehouse does her share of thinking too — she is not all the elfin spirit — perhaps that’s what makes her so interesting, so fascinating
Kathlyn Williams — Kathlyn of the Golden West (1920) 🇺🇸
One has no doubt about the bigness of Kathlyn Williams
Frankie Mann — An Erstwhile Vampire (1920) 🇺🇸
Frankie Mann’s a little bit of a thing physically; mentally, it’s quite another story.
Lucille Carlisle — An Average Girl (1922) 🇺🇸
“Tell me, Miss Carlisle, do you think comedy training is valuable to a girl who desires to become a dramatic actress?”
Sidney Drew — Film Humor More Than Making Funny Faces (1918) 🇺🇸
The human note, not monkey-shines, makes the strongest, most lasting appeal
Hollywood Draws the Line (1929) 🇺🇸
“What length films?” is the question that divides Hollywood into two castes, the feature-length players and the two-reelers, and seldom is the social gap crossed. A logical explanation of the situation is given in this article.
Elsie Ferguson — Advantages of the Screen Over the Stage (1918) 🇺🇸
A comparison and a prophecy with some comments by the way
Edna Goodrich — The Importance of Being Well-Dressed (1918) 🇺🇸
Some reasons why correct costuming is an aid to art
Shirley Mason — The Evolution of a Star (1918) 🇺🇸
How one ambitious little girl was made over for the movies
Dave Butler — Fat Boy, (Ring Bearer) — Tight Pants — (1919) 🇺🇸
David Butler is creating an unusual line of parts, all his own.