Vintage Movie Resources
What Kind of a Fellow Is — Laemmle? (1918) 🇺🇸
Carl Laemmle consults his young son — 9 year old Carl Laemmle Jr. — on every picture
Miss Jane Wolfe — Famous Kalem Star (1914) 🇺🇸
If Miss Jane Wolfe was not so successful in her photoplay work, she could easily attain rank as an architect
J. D. Williams (1929) 🇺🇸
J. D. Williams has playes played an important part in the progress and development of the motion picture industry, both in America and Europe
Hugo Riesenfeld — General Musical Director United Artists (1929) 🇺🇸
In 1916 Hugo Riesenfeld first became prominently identified with the motion picture industry in a musical way
What Kind of a Fellow Is — Williams? (1918) 🇺🇸
J. D. Williams is a Showman. That’s his proper classification. As a Showman, he’s an uplooker and an onlooker, and a widelooker
What Kind of a Fellow Is — Freuler? (1918) 🇺🇸
Once we told John R. Freuler a funny story and we expected to get a laugh. To our chagrin he said “Ah, yes!” politely and introduced us to a serious man who wanted to know what we thought of the market for one-reel comedies
What Kind of a Fellow Is — Hammons? (1918) 🇺🇸
So, gentle reader, we introduce herewith a snappy young man who’s always up on his toes: E. W. Hammons of the Educational Film Company of America
What Kind of a Fellow Is — Irwin? (1918) 🇺🇸
Walter W. Irwin is a good lawyer among film men and a good film man among lawyers
What Kind of a Fellow Is — Sherrill? (1918) 🇺🇸
“I don’t know the technical side of picture-making,” said William L. Sherrill, “but I do know fine pictures and I make them”
What Kind of a Fellow Is — Rothapfel? (1918) 🇺🇸
S. L. Rothafel intuitively knows his audience — any kind of audience
What Kind of a Fellow Is — Smith? (1918) 🇺🇸
We don’t understand what brought Albert E. Smith into the motion picture business
What Kind of a Fellow Is — Kessel? (1918) 🇺🇸
Adam Kessel Jr. and Charles Bauman have always been plungers