Vintage Movie Resources
“Broncho Billy” in Real Life (1912) 🇺🇸
Gertrude Thanhouser and Edwin Thanhouser — The Thanhousers are Back on the Job (1915) 🇺🇸
Ethel Clayton — Sans Grease Paint and Wig (1913) 🇺🇸
Ethel Clayton is trying to keep from thinking about small-pox. For whatever awful thing she thinks about long enough, she gets.
Arthur V. Johnson — Sans Grease Paint and Wig (1913) 🇺🇸
We were in the midst of a fragile repast of cornbeef and cabbage, green corn and iced tea in the Lubin studio’s dining room, when Arthur V. Johnson found us.
Children of Filmland (1913) | www.vintoz.com 🇺🇸
They’re “regular” stage folk even if they haven’t got a Screen Club or Photoplayers’ Club of their own
Mary Pickford — Sans Grease Paint and Wig (1914) 🇺🇸
Mary Pickford — Sans Grease Paint and Wig (1913) 🇺🇸
Matt Moore — Sans Grease Paint and Wig (1913) 🇺🇸
It was pay-day. Hence quite the most natural place for Matt Moore to be was in the vicinity of the cashier’s window in the Universal’s suite at Forty-eighth street and Broadway.
Norma Phillips — Sans Grease Paint and Wig (1913) 🇺🇸
Gertrude Coghlan — Sans Grease Paint and Wig (1913) 🇺🇸
Pearl Sindelar — Sans Grease Paint and Wig (1913) 🇺🇸
Pearl Sindelar was having a day off and was trying to figure out just how many of fifty-seven varieties of things she could do in that one day — three-fourths of a day, really, for it was already 10 a. m.
Harry Northrup — Sans Grease Paint and Wig (1913) 🇺🇸
Mabel Trunnelle — Sans Grease Paint and Wig (1913) 🇺🇸
It was four o’clock and the One Hundred and Eightieth street entrance to the Bronx park; it should have been three fifty-five and the Two Hundred and Thirty-fifth street exit. That would have given me time to get to the Edison studio and Mabel Trunnelle at exactly four.
Clara Kimball Young — Sans Grease Paint and Wig (1914) 🇺🇸
“It will give me big opportunities,” said Clara Kimball Young, as she sat back in the big office chair near the window, that belonged to the desk near the door.
Beverly Bayne — Sans Grease Paint and Wig (1912) 🇺🇸
“Let’s sit over here on the sofa and put the candy between us and then we can chat all we want”
Richard Travers — Sans Grease Paint and Wig (1914) 🇺🇸
There are two memories that come strongest to mind when I think back on the day that Richard C. Travers “told me things,” out on the bench on the Essanay grass-plot.
Adrienne Kroell — Sans Grease Paint and Wig (1912) 🇺🇸
Adrienne Kroell holds the record for being the most engaged girl in Chicago
Charles Clary — Sans Grease Paint and Wig (1912) 🇺🇸
All that Charles Clary wanted was to be let alone. Alone on a wide, wide sea; alone on a desert isle; alone — well, alone anywhere that the feminine gender is not
Bryant Washburn — Sans Grease Paint and Wig (1914) 🇺🇸
“I’m usually cast as ‘heavy’ but in the picture we came here to make, I have a straight part. The character and I last throughout the four reels.”
Hughie Mack — Sans Grease Paint and Wig (1914) 🇺🇸
“Dancing around we were dancing around. —”
George Periolat — Sans Grease Paint and Wig (1912) 🇺🇸
Kate Price — Sans Grease Paint and Wig (1914) 🇺🇸
Alice Joyce — Sans Grease Paint and Wig (1914) 🇺🇸
“Stay just where you are!” Keenan Buel directed his company and then sat down upon an inverted camera-box to wait for the sun to come from behind six or more clouds.
Robert Warwick — Sans Grease Paint and Wig (1914) 🇺🇸
And then Robert Warwick came; tall, smiling, dark-haired and dark-eyed.