Vintage Movie Resources
Mabel Trunnelle — Sans Grease Paint and Wig (1913) 🇺🇸
It was four o’clock and the One Hundred and Eightieth street entrance to the Bronx park; it should have been three fifty-five and the Two Hundred and Thirty-fifth street exit. That would have given me time to get to the Edison studio and Mabel Trunnelle at exactly four.
Clara Kimball Young — Sans Grease Paint and Wig (1914) 🇺🇸
“It will give me big opportunities,” said Clara Kimball Young, as she sat back in the big office chair near the window, that belonged to the desk near the door.
Beverly Bayne — Sans Grease Paint and Wig (1912) 🇺🇸
“Let’s sit over here on the sofa and put the candy between us and then we can chat all we want”
Richard Travers — Sans Grease Paint and Wig (1914) 🇺🇸
There are two memories that come strongest to mind when I think back on the day that Richard C. Travers “told me things,” out on the bench on the Essanay grass-plot.
Adrienne Kroell — Sans Grease Paint and Wig (1912) 🇺🇸
Adrienne Kroell holds the record for being the most engaged girl in Chicago
Charles Clary — Sans Grease Paint and Wig (1912) 🇺🇸
All that Charles Clary wanted was to be let alone. Alone on a wide, wide sea; alone on a desert isle; alone — well, alone anywhere that the feminine gender is not
Bryant Washburn — Sans Grease Paint and Wig (1914) 🇺🇸
“I’m usually cast as ‘heavy’ but in the picture we came here to make, I have a straight part. The character and I last throughout the four reels.”
Hughie Mack — Sans Grease Paint and Wig (1914) 🇺🇸
“Dancing around we were dancing around. —”
George Periolat — Sans Grease Paint and Wig (1912) 🇺🇸
Kate Price — Sans Grease Paint and Wig (1914) 🇺🇸
Alice Joyce — Sans Grease Paint and Wig (1914) 🇺🇸
“Stay just where you are!” Keenan Buel directed his company and then sat down upon an inverted camera-box to wait for the sun to come from behind six or more clouds.
Robert Warwick — Sans Grease Paint and Wig (1914) 🇺🇸
And then Robert Warwick came; tall, smiling, dark-haired and dark-eyed.
Flora Finch — Sans Grease Paint and Wig (1914) 🇺🇸
Flora Finch was nowhere visible, but various odd-looking garments, distinctively Finch-like, were, so I knew I had found the right dressing-room
Pearl White — Sans Grease Paint and Wig (1914) 🇺🇸
Boyd Marshall — Sans Grease Paint and Wig (1914) 🇺🇸
Richard Tucker — Sans Grease Paint and Wig (1914) 🇺🇸
Lottie Briscoe — Sans Grease Paint and Wig (1914) 🇺🇸
Encouraged at this proof of kindness on the part of Fate, I wondered if Miss Briscoe would have time, right then, to tell me the things I had come to ask months ago
William A. Williams — Sans Grease Paint and Wig (1914) 🇺🇸
Waw-Waw — the name that William A. Williams answers to
Harry C. Myers — Sans Grease Paint and Wig (1914) 🇺🇸
Harry C. Myers fitted into the flatness of his Stutz Bear-cat machine in the shadow of the Lubin studio and, with his feet stretched out miles ahead of him to reach the foot-prop, his coat open and, his head bare to the warm sunshine of an exceptional day, announced that he was thirty years old, a democrat and that he scorned public opinion.
Gertrude McCoy — Sans Grease Paint and Wig (1914) 🇺🇸
Marguerite Snow — Sans Grease Paint and Wig (1914) 🇺🇸
“When I came into pictures it was just as though I hadn’t worked on the stage at all, for I had to learn everything from the start”
Wallace Beery — Sans Grease Paint and Wig (1914) 🇺🇸
“I’ll know Wallace Beery by is feet,” I wagered with myself as I sat down in the lobby of the Biltmore to wait for the Essanay “comedienne.”
James Kirkwood — Sans Grease Paint and Wig (1914) 🇺🇸
James Kirkwood has red hair and a disposition that strictly forbids his worrying about anything