Vintage Movie Resources
Cora Sue Collins — Head of the Family (1934) 🇺🇸
You know who Cora Sue Collins is, although you may not know her by name. Few child actresses have aroused the interest she has provoked in a few months. You saw her in Smilin’ Through, and there was a flash of her in “Silver Dollar.”
Hardie Albright — Luck and Pluck (1932) 🇺🇸
Our success story this month tells how Hardie Albright's ideas carried him through the dark days to bright prospects.
John Gilbert's Bugaboo (1932) 🇺🇸
A sympathetic, as well as a brilliant, answer to the question, “What’s happened to Gilbert?” If you long for the old, successful John Gilbert, you will thrill to the fine feeling expressed herein
I Was Never So Embarrassed (1932) 🇺🇸
I was never so embarrassed — For even the movie stars’ faces get red
The Unfamous of Hollywood — Elmer Dyer — Lens On Wings (1934) 🇺🇸
Elmer Dyer is a cameraman. He shot Hell’s Angels and Dawn Patrol. From the air.
The Unfamous of Hollywood — Natalie Bucknell — From Secret Service to Studios (1934) 🇺🇸
Natalie Bucknell bosses the best research department in Hollywood — that of M-G-M. If they need to photograph a Swedish fire-plug, a mule cart in Barcelona, or the third left eyelash of the Venus de Milo, Natalie is the girl who tells them how to do it and supplies a photo and description of the actual object.
Behind the Scenes of “Alice in Wonderland” (1934) 🇺🇸
Come backstage into fairyland! Get the surprise of your life when you see “big names” delighted with bits!
Buster Keaton — Family Man (1931) 🇺🇸
How Buster Keaton got into pictures:
Joseph Schenck: “Ever play in a movie, Buster?”
Buster Keaton: “Nope.”
Joseph Schenck: “We’re making a comedy with Fatty Arbuckle. Go down to the studio and play a bit in it, just to see if you like it.”
Buster Keaton: “Nope.”
Joseph Schenck: “We’re making a comedy with Fatty Arbuckle. Go down to the studio and play a bit in it, just to see if you like it.”
Rouben Mamoulian — What Do You Think of Color? (1935) 🇺🇸
Movie director Rouben Mamoulian, director of Becky Sharp, the first major picture using Technicolor’s new color process, writes about the use of colours in movies.
Showing
all
9 results