Vintage Movie Resources
Dal Clawson — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Some cameramen, like Dal Clawson, are so shy and skittish that they must be roped, hog-tied and branded before they will stand long enough to be communicated with
Faxon M. Dean — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Faxon M. Dean likes to let his cinematographic work do the talking for him
Joseph H. August — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Joseph H. August’s reputation traveled along the ascending scale with that of his star, William S. Hart
René Guissart — Little Close-Ups of the A. S. C. (1922) 🇺🇸
René Guissart is another of the silent brothers — he will talk, but not about Guissart, and that makes it difficult for the patient biographer
Dark Cloud Rides Like the Wind (1915) 🇺🇸
Dark Cloud rides like the wind and in the battle and master scenes has the fury of the Sioux
William Conklin — Every Inch an Actor (1915) 🇺🇸
William Conklin has all the equipment necessary to make a successful actor
Harry M. Fowler — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Tuning up his camera, Harry M. Fowler struck out for Camerafornia in 1913
Alois G. Heimerl — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Alois G. Heimerl had an important part in developing such stars as Gail Kane, Margarita Fischer, Mary Miles Minter, and a score of other well known artists of the screen
Perry Evans — Little Close-Ups of the A. S. C. (1922) 🇺🇸
If they have motion pictures in heaven (and cinematographers go there), celestial bound picture fans will some day find Perry Evans there cranking the camera
William C. Foster — Little Close-Ups of the A. S. C. (1922) 🇺🇸
William C. Foster has been in the cinematographic harness since 1901 — that’s 21 years ago. Billy must have started in while he still wore rompers, for he looks only about 25 now
George Meehan — Little Close-Ups of the A. S. C. (1922) 🇺🇸
In the making of comedies, George Meehan was called upon to operate his camera from a swinging steel girder twelve stories above the street
King D. Gray — Little Close-Ups of the A. S. C. (1922) 🇺🇸
A cameraman, such as King D. Gray, is like the Roman sentinel of Pompeii — everybody else can get away, but he must stick till he dies if a scene is being shot
Edward A. Kull — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Edward A. Kull’s failure to kick in with a biographical sketch of his cinematic career gave us this opportunity to pay a tribute to printer’s ink
Ira H. Morgan — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Ira H. Morgan shines as one of “the men who make motion pictures”
Roland Totheroh — Little Close-Ups of the A. S. C. (1922) 🇺🇸
The history of Charles Chaplin is the history of Roland Totheroh and a story could not be told of one without the other
William C. McGann — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Like all veterans of the World War, William C. McGann is almost as noisy about war stuff as a cherrystone clam at a gingerbread picnic
Hugh McClung — Little Close-Ups of the A. S. C. (1922) 🇺🇸
Hugh McClung thinks the camera is the big thing in motion pictures
Future Favorites — Allen Brook (1938) 🇺🇸
Allen Brook would have been an automobile engineer if his acting ambitions hadn’t materialized
Future Favorites — Gordon Oliver (1938) 🇺🇸
You’ll like young Gordon Oliver especially after seeing him play opposite Kay Francis in Women Are Like That
W. C. Fields — World-Famed Star of Vaudeville (1915) 🇺🇸
W. C. Fields, world-famed star of vaudeville, will be featured in “The Pool Sharks”
Arthur Mackley — “Sheriff” of Motion Pictures (1915) 🇺🇸
The “Sheriff” of motion pictures, Arthur Mackley, tells how he got the title
L. Guy Wilky — Little Close-Ups of the A. S. C. (1922) 🇺🇸
If you ask cinematographer L. Guy Wilky about the best picture he ever shot, he’ll tell you it was the picture of his six months’ old baby