Vintage Movie Resources
Lou Tellegen — The Return of the Great Lover (1924) 🇺🇸
Among Those Present — Brief sketches of some of the most interesting people in motion pictures, whose work, though sometimes of star calibre, does not always get star recognition.
Edythe Chapman — Secret of a New Mother Type (1924) 🇺🇸
Among Those Present — Brief sketches of some of the most interesting people in motion pictures, whose work, though sometimes of star calibre, does not always get star recognition.
Will Rogers Rambles (1924) 🇺🇸
Among Those Present — Brief sketches of some of the most interesting people in motion pictures, whose work, though sometimes of star calibre, does not always get star recognition.
Claude Gillingwater — A Movie Homesteader (1924) 🇺🇸
Among Those Present — Brief sketches of some of the most interesting people in motion pictures, whose work, though sometimes of star calibre, does not always get star recognition.
Gaston Glass — With the Vision Bernhardt Gave (1924) 🇺🇸
Gaston Glass started out under the auspices of the great tragédienne [Sarah Bernhardt] — but in becoming an American film hero he has not always lived up to her precepts. But the spark is still there.
Millard Webb — Directors I Have Met (1924) 🇬🇧
Hollywood’s Baby Director” is the unofficial title bestowed upon Millard Webb, whose years of experience of this world number only twenty-nine.
Leah Baird — She’s a Regular Trooper, Leah Baird is (1924) 🇺🇸
And when one actor says that about another it constitutes the perfect tribute
Priscilla Dean — Oh, Why Did They Name You Priscilla? (1924) 🇺🇸
Patricia, or Carmelita, or Delphine would have fitted, but not that Puritanical cognomen
Al Christie — Directors I Have Met (1924) 🇬🇧
Al Christie is the globe trotter of producers but when he is in the States, he prefers Hollywood.
Harold Shaw — Directors I Have Met (1924) 🇬🇧
I had always thought that Harold Shaw was an Englishman, even though he was a member of the Old Edison Company some fifteen years ago.
The Art of Abel Gance (1924) 🇬🇧
David Wark Griffith, Charles Chaplin, Rex Ingram, Abel Gance! Four names in the world’s screen industry which convey to the picturegoer a wealth of meaning.
Pearl White — Good-by Boys, I’m Through (1924) 🇺🇸
Star who never knew fear says that “Terror” is her last picture
Our Gang (1924) 🇺🇸
“Hi, you, get off’r that football. How kin we play if you lay on it all the time, anyway?”
Edna Purviance — Hollywood’s Mystery Woman (1924) 🇺🇸
She is in pictures, but not of them. But she is both in and of the very best in California society
Edward Everett Horton — Not the Perfect Male, But — (1924) 🇺🇸
Edward Everett Horton took up acting because he thought it would be fun.