Vintage Movie Resources
Lucille Carlisle — An Average Girl (1922) 🇺🇸
“Tell me, Miss Carlisle, do you think comedy training is valuable to a girl who desires to become a dramatic actress?”
J. Boyce Smith Jr. — Selecting for Better Pictures (1926) 🇺🇸
Edward Sedgwick — Who is Responsible? (1926) 🇺🇸
William Beaudine — Directorial Versatility (1926) 🇺🇸
Richard Wallace — Who is Responsible? (1926) 🇺🇸
Five years from now, the pictures of today will seem as primitive as the pictures of 1921 appear to us today
Estelle Taylor — On the Set with John Barrymore (1926) 🇺🇸
John Barrymore, like many another man, drinks what he wants when he wants to
Helen Mundy — Her Red-Letter Day (1927) 🇺🇸
Helen Mundy asked for a chocolate sundae after school, and got a five-year contract — and with Famous Players, too!
George J. Lewis — Big Brother George (1926) 🇺🇸
Among the new order of juveniles who have risen to prominence in the movies within the past year, George Lewis most suggests the big, sympathetic brother.
Poverty Row — Wiped Out by Prosperity (1927) 🇺🇸
Poverty Row, that section of Hollywood noted for pictures produced on a shoestring, is becoming so affluent that the old days and practices have become just a memory.
Chester Conklin — The Earl of Guffaw (1927) 🇺🇸
Away from the screen most people do not recognize Chester Conklin.
Naomi Childers — Future Tense (1921) 🇺🇸
Malcolm McGregor — Yale to Hollywood (1922) 🇺🇸
Malcolm McGregor sailed around the Horn to seek his film fortune in California
Sex Appeal, Babies and Alice Brady (1922) 🇺🇸
Something of the star who works hard but never plays
Owen Nares — Owen Dares (1919) 🇬🇧
Owen Dares — Be an actor as well as look a Matinee Idol.
Helene Chadwick — A Nice Girl from Main Street (1922) 🇺🇸
Not so long ago Helene Chadwick was the belle of Chadwick, New York
Winnie Brown — Stunting into Stardom (1922) 🇺🇸
Winnie Brown, nameless and unknown, has doubled for all the stars, but now she’s to be a star herself
Ernst Lubitsch — The Film Wizard of Europe (1922) 🇺🇸
First view of Ernst Lubitsch in action
Leo Noomis — The Photoplay Has Its Heroes (1922) 🇺🇸
The two pink plaster bungalows faced each other across the tiny strip of flowered court. On one infinitesimal porch, the plump, dark woman kissed her husband goodby and waved him a cheery, prosaic hand as he ambled toward the street car.
Gustav von Seyffertitz — Some Villains I Have Known (1922) 🇺🇸
Some villains I have known. In particular, Gustav von Seyffertitz
Lewis Stone — “Just a Good Actor” (1922) 🇺🇸
Lew Stone is a little older, but he will make Reid and Valentino look to their matinee idol laurels
Katherine Hilliker — The Motion Picture Alibi (1922) 🇺🇸
No story you have ever read will give you such a clear insight into the resourcefulness necessary for the making of good photoplays. Sometimes the subtitles tell the story
Mae Busch — “She’s a Nut — But I Like Her” (1922) 🇺🇸
The star of Foolish Wives is one of the most individual of them all
