Vintage Movie Resources
Ethyle Cook Benham — Motography’s Gallery of Picture Players (1914) 🇺🇸
If anyone has ever seen Ethyle Cook Benham angry around the studio he or she has kept it a secret
Carey L. Hastings — Motography’s Gallery of Picture Players (1914) 🇺🇸
Carey L. Hastings is a wonder in the art of make-up
Frank Farrington — Motography’s Gallery of Picture Players (1914) 🇺🇸
Frank Farrington ultimately desires a directorship
Charles Arling — Motography’s Gallery of Picture Players (1914) 🇺🇸
Charles Arling is a pioneer moving picture actor and although still a young man his experience on the legitimate stage has been vast and varied
Paul Panzer — Motography’s Gallery of Picture Players (1914) 🇺🇸
Paul Panzer joined Pathé Frères’ stock company in Jersey City where he has been now for three and a half years playing leading parts
Edna Mayo — Motography’s Gallery of Picture Players (1914) 🇺🇸
Edna Mayo’s daring has made her a popular screen artist, but a number of times has nearly been her own undoing. One of her narrowest escapes occurred at Seattle when she was thrown from an ungovernable horse at the edge of a precipice
Della Connor — Motography’s Gallery of Picture Players (1914) 🇺🇸
Delia Connor, whose blonde locks and attractive smile grace so many Pathé comedies, was born in Boston, the city of culture
Dorothy Phillips — Motography’s Gallery of Picture Players (1914) 🇺🇸
Dorothy Phillips possesses a lofty beauty, emphasized by a pair of delightful, lustrous eyes
William E. Shay — Motography’s Gallery of Picture Players (1914) 🇺🇸
William Shay is one of the oldest leads in any of the Universal companies
Robert Leonard — Motography’s Gallery of Picture Players (1914) 🇺🇸
Robert Z. Leonard is a Universal Rex star, appearing in the pictures he helps to produce at the company’s west coast studios
Pauline Bush — Motography’s Gallery of Picture Players (1914) 🇺🇸
Pauline Bush had never seen a screen play up to three years ago
Viola Dana — Motography’s Gallery of Picture Players (1914) 🇺🇸
Viola Dana just couldn’t help being a star
Edward Earle — Motography’s Gallery of Picture Players (1914) 🇺🇸
Edward Earle’s acting is natural and unrestrained
Bliss Milford — Motography’s Gallery of Picture Players (1914) 🇺🇸
Bliss Milford’s advent into pictures was purely accidental. Living near the Edison studio she thought to fill in her time between seasons by taking extras, but liked the work so well she remained in it
Arthur Housman — Motography’s Gallery of Picture Players (1914) 🇺🇸
Arthur Housman is one of the foremost comedians of the screen to-day
Rhea Mitchell — Motography’s Gallery of Picture Players (1914) 🇺🇸
Rhea Mitchell has been called the “stunt girl” because of the roles she has taken which required her jumping off cliffs, being rescued from burning ships, getting lost in swamps and quick sands, and several times drowning
Charles Ray — Motography’s Gallery of Picture Players (1914) 🇺🇸
Charles Ray’s entrance into theatricals was not a bit startling
J. Barney Sherry — Motography’s Gallery of Picture Players (1914) 🇺🇸
J. Barney Sherry has a striking personality and his versatility in portrayal seems unlimited
Clara Williams — Motography’s Gallery of Picture Players (1914) 🇺🇸
Clara Williams has become well known because of her clever impersonations
Eleanor Blanchard — Motography’s Gallery of Picture Players (1914) 🇺🇸
Eleanor Blanchard is one of the most useful character actresses of the Lubin plant
Louise Huff — Motography’s Gallery of Picture Players (1914) 🇺🇸
When Louise Huff skips into a picture she brings with her a pair of violet eyes, a mass of soft blonde curls and a delicate oval of a face
Joseph Kaufman — Motography’s Gallery of Picture Players (1914) 🇺🇸
Joseph Kaufman is of a cheerful disposition and always has a kind word for all those associated with him, which has made him exceedingly popular with all his fellow-players
Carol Holloway — Motography’s Gallery of Picture Players (1914) 🇺🇸
Carol Holloway adds something more than beauty to Lubin films
Georges Baud — Motography’s Gallery of Picture Players (1914) 🇺🇸
On the continent Georges Baud’s name alone is enough to fill a theater