Vintage Movie Resources
If I Were a Woman… (1927) 🇺🇸
And some of the men name the things that they would not do if they were women.
William K. Howard — You Can’t Keep a Good Man Down (1927) 🇺🇸
When William K. Howard, commonly known as Bill, came back from the war and found his job gone, he saw red at first — then he decided to show ‘em! Which he has — with a megaphone. If you saw “Gigolo,” you know it.
ZaSu Pitts — Loved at Last (1927) 🇺🇸
William Collier Jr. — Up and Down with Buster (1927) 🇺🇸
Phyllis Haver — A Credit to Kansas (1927) 🇺🇸
Patsy Ruth Miller — Patsy Ruth Flares Up (1927) 🇺🇸
Marceline Day — Marceline Keeps Cool (1927) 🇺🇸
Gertrude Astor — She Outgrew Stardom (1927) 🇺🇸
How would you like to have two or three inches of superfluous height stand between you and stardom?
Sōjin Kamiyama— How Sojin Does It (1927) 🇺🇸
Lupino Lane — A Nipper from Piccadilly (1927) 🇺🇸
Universal Pictures Directors Featured in Lucky Strike Ads (1927)
May McAvoy — What the "Mc" in McAvoy Means (1927) 🇺🇸
May, of the McAvoy clan, has a strong whiff of Scotch in her ancestry and proves it by driving shrewd bargains for her professional services, to the amazement of those who believe her to be just a sweet little thing.
Dorothy Mackaill — Following the Blue Print (1927) 🇺🇸
Tim McCoy — Born to the West — and East, Too (1927) 🇺🇸
Lloyd Hughes — Just an Average American (1927) 🇺🇸
You could meet Lloyd Hughes anywhere, for there are a million like him in this U. S. A. of ours. Perhaps that is why the fans like him so well.
James Hall — You Never Can Tell (1927) 🇺🇸
Al Christie — Everybody Calls Him Al (1927) 🇺🇸
Bobby Vernon — On and Off (1927) 🇺🇸
It was a small picture house in Glendale. In the crowded lobby hung a huge lithograph announcing the evening’s comedy. Beside it stood the manager of the theatre in deep conversation with a boyish looking, blue-eyed chap. A ragged newsboy rounded the corner and emitted a shrill Whoopee! at sight of the lithograph. For a minute or two he studied it in ecstasy, then he tugged at the young fellows coat. “Hey, mister, who are you?” he demanded, curiously.
Stories About the Notables of Films — Rise of Victor Schertzinger as Director Covers Ten Years Unmarred by Failure (1927) 🇺🇸
He has directed sixty-eight feature pictures without having ever been idle a month — started with Ince at $300 a week under contract.